Trump's Project 2025: Up Close and Personal. Chapter 12: Year in Review

Maya is joined by Matthew D. Taylor, expert on Christian Nationalism and Independent Charismatic Christianity, and Jeremy Alder, comedian and survivor of a fundamentalist missionary upbringing. Can we punch up at Christian Nationalism - oh Hell yes and we had better start doing so NOW!

America voted for Project 2025, Christian Nationalism, and to be governed by incompetent, amoral degenerates. Oh, you voted for cheaper eggs? Yeah, it was a package deal. Read the fine print. And the eggs will cost more. So now what? Maya May and award-winning author and Christian Nationalism survivor Andra Watkins get real real about what comes next.

Andra Watkins writes that under Project 2025, "If the President’s agenda is to decree that anyone who votes for candidates other than himself and his party are committing voter fraud, that is what the DOJ will criminalize and prosecute."

The first part of Chapter 10 introduces the fictional character Dr. Joy Brewer, a dedicated researcher focused on studying cancer clusters affecting Black Americans. Joy learns from her colleague, Dr. Matthias Kunz, that all federal grants linked to race or gender are being canceled, jeopardizing her life’s work. Despite her attempts to advocate for her essential research, the political climate forces her into a corner where she must reconsider her direction. This part of the chapter closes with Joy’s resolute decision to remain true to her mission, suggesting a significant personal and professional loss amidst the disaster of Trump and his ideological allies. In the second part of chapter, the fictional Webster "Web" Powers, addresses a packed ballroom in Washington, D.C., on a day he considers pivotal for his political ambitions. Web, who has transformed from a simple condo salesman into a powerful figure opposing what he sees as “woke” ideologies in education and government, relishes the fear among his audience—representatives from universities and research institutions. He recalls how his concerns about a lack of patriotic historical education for his children led him on a crusade to eliminate anti-American content from schools, which in turn propelled him into politics. After achieving success in Florida by banning critical race theory and related concepts from education, he is ready to extend his efforts nationally. During his speech, he unveils plans to remove references to race, gender identities, and diversity from federal policies and grants, branding the funding of such initiatives as “racism.” His announcement indicates that billions in federal research funds supporting various racial and gender-focused studies will now be terminated, causing dread among established academics who relied on these grants. Web takes pleasure in exerting control, sensing that his audience, once dismissive towards him, is now subservient to his newfound authority. Ultimately, both narratives illustrate what happens when a Trump second term guided by Project 2025 destroys the lives and work of dedicated individuals committed to social justice and scientific integrity. We'd like to thank all the artists who volunteered their time to make this episode: Danai Gurira and Joel Hurt Jones who read the chapter and others who contributed character voices. Sound design by Jonathan Moser and Marilys Ernst. Trump's Project 2025: Up Close and Personal is written by David Pepper and produced by Pepper, Melissa Jo Peltier and Jay Feldman and is a production of Ovington Avenue Productions and The Bill Press Pod.

The story follows fictional Private Troy Marquis, who attends a tense early morning briefing at a military reserve base in Philadelphia. Troy is told that a radical group, Antifa, has invaded the city, prompting a second-term President Trump to invoke the Insurrection Act. US law currently prohibits the military from operating on US soil. However, the Insurrection Act of 1807 gives the president broad and sweeping authority to use the military to quell domestic violence or conspiracy that the president thinks is a domestic rebellion or insurrection. Donald Trump tried use the Insurrection Act against Black Lives Matter protests in his first administration and has threatened use the U.S. Military to shut down protests against him if he is re-elected. As the soldiers in Troy Marquis company advance towards City Hall, tensions rise with the conflict between what the soldiers were told and what they see with their own eyes. In the midst of a peaceful protest against police violence, the situation escalates when one soldier purposely makes up a perceived threat, leading to gunfire. The chaos results in the deaths of dozens and many injuries, including their own soldiers. Overcome with horror and guilt, Troy grapples with the aftermath of their actions and the brutal reality of their mission. In a view from the other side, the fictional Julie Brown joins that protest in Philadelphia calling for justice after the police killing of two Black students. Despite her parents' concerns about the increasing hostility towards protesters, she feels compelled to stand up for her beliefs. The protest initially unfolds peacefully, filled with songs and chants, until military forces arrive with orders to disperse the demonstrators. As the military's authoritative tone becomes increasingly menacing, panic ensues when gunfire breaks out, resulting in casualties among the protesters. Julie is injured in the chaos and wakes up in the hospital, facing a representative of military intelligence who informs her that the protest group is being investigated for allegedly attacking the military. Once again in a trump administration up is down and down is up. We'd like to thank all the artists who volunteered their time to make this episode: Mark Hamill and Andrea Guidry who read the chapters and others who contributed character voices. Sound design by Jonathan Moser and Marilys Ernst. This episode of Trump's Project 2025: Up Close and Personal was jointly written by Daniel Miller—lawyer, writer and democracy advocate—and David Pepper and produced by Pepper, Melissa Jo Peltier and Jay Feldman and is a production of Ovington Avenue Productions and The Bill Press Pod.