Project 2025 proposes to eliminate the Department of Education and divert federal education funding into universal school voucher programs, allowing public money to be used for private and for-profit schools. This would result in cuts to critical services and programs at public schools, including mental health counseling, school resource officers, after-school programs, reading/writing specialists, and services for students with disabilities. Classroom sizes at public schools would increase substantially due to the funding cuts, hampering the ability to provide a quality education. The plan also calls for the censorship of curriculum and book banning related to topics like racial equity, LGBTQ issues, and reproductive health. Private for-profit schools receiving voucher funds have been found to use substandard or misleading curriculum, including teaching that dinosaurs and humans co-existed and that slavery was not as bad as portrayed. Overall, the goal of Project 2025 is to end public education in the United States in favor of a privatized, deregulated school system, with devastating consequences for students, especially those from lower-income families and communities.
Based on the actual proposals and likely consequences above, the fictional based stories begin as Martha Sheakley, the principal of Southeast Middle School, faces the challenges of new controversial book-banning laws that require the removal of numerous classics from the library. As she meets with librarian Paige Parker, they express their frustration over the vague standards forcing them to censor popular titles, including works by Toni Morrison and Anne Frank. Martha is frustrated with the political landscape affecting education and the consequences of enforcing these new laws. Martha then attends a distressing meeting about school funding. Due to the government's shift to vouchers for private schools, public schools face severe funding cuts. She learns they must eliminate wrap-around services and support staff, including mental health counselors, after-care programs, and special education resources. These cuts threaten the well-being of students and the overall educational environment. The meeting exposes the deepening crisis in public education as more responsibilities are pushed onto families with lower income and fewer resources. After a day filled with painful decisions and meetings, Martha encounters law enforcement taking away censored books from the library, further highlighting the absurdity and tragedy of censorship in education. As the day ends, Martha reflects on the privilege of parents benefitting from the new policies while her own students and staff suffer the consequences.
In parallel, Marcus and other parents share their concerns about Blue Ribbon Academy, a new school that seemed promising but delivered a disappointing reality. They discover misleading curriculum materials that trivialize serious historical issues and provide an inadequate education. As they navigate their experiences trying to advocate for better education options for their children, they are met with resistance from the Blue Ribbon administration, which has no accountability to the public.
Despite their efforts, the parents ultimately face the grim reality that shifts in educational policy have sidelined their children, particularly those with special needs like Marcus's son, Jamal, who is deemed "not a good fit" for Blue Ribbon due to his ADHD. This reflects a larger trend of public schools becoming underfunded and unable to meet the needs of diverse learners as more families are funneled into less supportive educational environments.
We'd like to thank all the artists who volunteered their time to make this episode: Ever Carradine and Don Cheadle who read the chapters and others who contributed character voices. Sound design by Johnathan Moser.
Trump's Project 2025: Up Close and Personal is written by David Pepper
America voted for Project 2025, Christian Nationalism, and to be governed by incompetent, amoral degenerates. Oh, you voted for cheaper eggs? Yeah, it was a package deal. Read the fine print. And the eggs will cost more. So now what? Maya May and award-winning author and Christian Nationalism survivor Andra Watkins get real real about what comes next.
Chapter 12 chronicles the demise of our fictional magazine, Capital Monthly. The pressure from the White House, from advertisers and from Social Media algorithms kills the independent journalism that was documenting what life was like under Donald Trump's second term guided by Project 2025. As our host, Bill Press, of The Bill Press Pod says in the episode:
“It’s not too late to change some minds. The election is a few days away and still most people have not voted. If you have a friend or family member that has not decided whether to vote, or whom to vote for, this is your chance to make a difference. If this series frightened you, made you even more fearful of a Trump second term, perhaps it can have the same effect on someone you know. Please share this series or even a single episode that might speak to that person's special interests. All twelve episodes are in your podcast app and available for sharing. Or you could direct them to go to 2025 pod.com. If we all do something, as Michelle Obama says, even small things like this, we can make a difference and save our Democracy from Donald Trump and Project 2025.”
We’d like to thank all the artists who volunteered their time to make this series. Especially the talented sound designers Marilys Ernst and Jonathan Moser who worked on every episode. Trump's Project 2025: Up Close and Personal is written by David Pepper and produced by Pepper, Melissa Jo Peltier and Jay Feldman and is a production of Ovington Avenue Productions and The Bill Press Pod.
Andra Watkins writes that under Project 2025, "If the President’s agenda is to decree that anyone who votes for candidates other than himself and his party are committing voter fraud, that is what the DOJ will criminalize and prosecute."
The first part of Chapter 10 introduces the fictional character Dr. Joy Brewer, a dedicated researcher focused on studying cancer clusters affecting Black Americans. Joy learns from her colleague, Dr. Matthias Kunz, that all federal grants linked to race or gender are being canceled, jeopardizing her life’s work. Despite her attempts to advocate for her essential research, the political climate forces her into a corner where she must reconsider her direction. This part of the chapter closes with Joy’s resolute decision to remain true to her mission, suggesting a significant personal and professional loss amidst the disaster of Trump and his ideological allies.
In the second part of chapter, the fictional Webster "Web" Powers, addresses a packed ballroom in Washington, D.C., on a day he considers pivotal for his political ambitions. Web, who has transformed from a simple condo salesman into a powerful figure opposing what he sees as “woke” ideologies in education and government, relishes the fear among his audience—representatives from universities and research institutions.
He recalls how his concerns about a lack of patriotic historical education for his children led him on a crusade to eliminate anti-American content from schools, which in turn propelled him into politics. After achieving success in Florida by banning critical race theory and related concepts from education, he is ready to extend his efforts nationally. During his speech, he unveils plans to remove references to race, gender identities, and diversity from federal policies and grants, branding the funding of such initiatives as “racism.”
His announcement indicates that billions in federal research funds supporting various racial and gender-focused studies will now be terminated, causing dread among established academics who relied on these grants. Web takes pleasure in exerting control, sensing that his audience, once dismissive towards him, is now subservient to his newfound authority.
Ultimately, both narratives illustrate what happens when a Trump second term guided by Project 2025 destroys the lives and work of dedicated individuals committed to social justice and scientific integrity.
We'd like to thank all the artists who volunteered their time to make this episode:
Danai Gurira and Joel Hurt Jones who read the chapter and others who contributed character voices.
Sound design by Jonathan Moser and Marilys Ernst.
Trump's Project 2025: Up Close and Personal is written by David Pepper and produced by Pepper, Melissa Jo Peltier and Jay Feldman and is a production of Ovington Avenue Productions and The Bill Press Pod.
The story follows fictional Private Troy Marquis, who attends a tense early morning briefing at a military reserve base in Philadelphia. Troy is told that a radical group, Antifa, has invaded the city, prompting a second-term President Trump to invoke the Insurrection Act. US law currently prohibits the military from operating on US soil. However, the Insurrection Act of 1807 gives the president broad and sweeping authority to use the military to quell domestic violence or conspiracy that the president thinks is a domestic rebellion or insurrection. Donald Trump tried use the Insurrection Act against Black Lives Matter protests in his first administration and has threatened use the U.S. Military to shut down protests against him if he is re-elected.
As the soldiers in Troy Marquis company advance towards City Hall, tensions rise with the conflict between what the soldiers were told and what they see with their own eyes. In the midst of a peaceful protest against police violence, the situation escalates when one soldier purposely makes up a perceived threat, leading to gunfire. The chaos results in the deaths of dozens and many injuries, including their own soldiers. Overcome with horror and guilt, Troy grapples with the aftermath of their actions and the brutal reality of their mission.
In a view from the other side, the fictional Julie Brown joins that protest in Philadelphia calling for justice after the police killing of two Black students. Despite her parents' concerns about the increasing hostility towards protesters, she feels compelled to stand up for her beliefs. The protest initially unfolds peacefully, filled with songs and chants, until military forces arrive with orders to disperse the demonstrators. As the military's authoritative tone becomes increasingly menacing, panic ensues when gunfire breaks out, resulting in casualties among the protesters. Julie is injured in the chaos and wakes up in the hospital, facing a representative of military intelligence who informs her that the protest group is being investigated for allegedly attacking the military. Once again in a trump administration up is down and down is up.
We'd like to thank all the artists who volunteered their time to make this episode:
Mark Hamill and Andrea Guidry who read the chapters and others who contributed character voices.
Sound design by Jonathan Moser and Marilys Ernst.
This episode of Trump's Project 2025: Up Close and Personal was jointly written by Daniel Miller—lawyer, writer and democracy advocate—and David Pepper and produced by Pepper, Melissa Jo Peltier and Jay Feldman and is a production of Ovington Avenue Productions and The Bill Press Pod.
